红牛在线
剧情简介
康沃尔(ěr )(🔨)渔村的风(fēng )景(jǐng )(🥇)明信片田园诗误导(🃏)了人们。虽(suī )然过去钓(🤴)鱼是(shì )一种养家(🆖)糊口的方(fāng )式，但如今(jīn )(🐮)富(fù )(🥩)有的(de )(😧)伦敦(📿)游客纷纷下山，取代了当地人，当地(🕔)人(rén )的生计因此受到威胁。史(💆)蒂(dì )文(wén )和马丁兄弟的关系也很紧张。马丁是一个没(méi )(🚸)有船的渔(yú )夫(🕕)，因为(wéi )(🐖)史蒂(dì )文开始用(yòng )它来(lái )为一(yī )(🔩)整天(🌚)的游客提供更赚钱的旅游。他们卖掉(🥔)了(le )(💻)这(zhè )座(zuò )家庭别墅(shù )，现在看(kàn )来，最后一(yī )场战(zhàn )(💪)斗是和(hé )新主人在(🥫)海边的停(tíng )车(chē )位上展开。然而(ér )，情况(🎋)很快就(🐀)失控了，而不仅(🌮)仅(jǐn )是因为车(❕)轮夹钳。Bait是(💍)一种黑白，手工制作(zuò )，16毫(háo )(🥋)米(🤷)胶(🃏)片制作的电影。许(xǔ )多关于鱼、网、龙虾、长靴、绳结和渔篮的特写(🔷)镜头(tóu )(♌)让人想(xiǎng )起了蒙(🔞)太(🏴)奇景(jǐng )(📐)点的(de )理(🔙)论。对不(bú )同(🖍)社会阶(jiē )层的描述(⏳)——可以说是阶级关系——(🚻)也(yě )让(🔪)人(rén )想起了英国(🧘)电影中的社会现实主义传(🚩)统。然而，最(🈺)重(⏺)要的(de )是，在影(🔬)像中不同(💕)层(🈂)次(cì )的电影历(💛)史参(cān )考文(wén )献之下，当前许(xǔ )(🛌)多政(🕵)治关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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