红牛在线
剧情简介
康沃尔渔村的风景明信(📒)片(🏽)田园诗(shī )(🔼)误导了人(rén )们。虽(suī )(🛍)然过去钓鱼是一种(zhǒng )养家糊口的(de )方(🌰)式，但(🏴)如(🗼)今(🐮)富(🥩)有的(😧)伦(🎾)敦游客纷(fēn )纷下山，取代了当地(🚤)人，当地人的生(🎩)计因此受到威胁(xié )。史蒂文和马(mǎ )丁(dīng )兄弟(🚥)的关系(🛺)也很紧张。马丁是一(🙁)个没(🚸)有(🖍)船的渔夫，因(yīn )(😱)为史蒂文开始(shǐ )用它来为一整天的游(yóu )客提(tí )供更(🖲)赚(zuàn )(🔢)钱的旅(lǚ )游。他们卖(mài )掉了这座家庭别墅，现在看来，最后(👓)一场(chǎng )战斗是和新(xīn )主人在海边(👃)的(de )停车(chē )位(🤲)上展开。然(rán )而，情(qíng )(🤳)况(kuàng )很快(🕐)就失控了，而不(bú )(🕯)仅仅是因为(wéi )车轮(lún )(💝)夹钳。Bait是一种黑白，手工制作，16毫米胶(🃏)片制作的电影。许(xǔ )(💯)多(duō )关于鱼、网、龙虾(🤔)、(📧)长靴(😙)、绳结(📛)和渔(yú )篮的(📸)特(tè )写镜头让人(🥅)想(xiǎng )起了蒙(🔞)太奇(qí )景(📐)点的理论。对(duì )(🐖)不同(tóng )社(shè )会阶层的描述——可以(yǐ )(🍁)说(shuō )是阶级(jí )关系——(🚻)也(🍺)让人想起了英(👩)国电影(🤼)中的社会(huì )现实主义传统。然而，最重(chóng )(⏺)要的是，在(zài )影(yǐng )像中不(🌲)同层次的(de )电影历史参考(kǎo )文献之下，当前许多政治关联正在等(👆)待被发(fā )现(🗒)。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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